I’m Chloé Gray
& I wanna have fun.
✦highly femme
✦music videos
✦filmmaker
✦queer
✦educator
✦producer
✦choreographer
✦levantine
✦highly femme ✦music videos ✦filmmaker ✦queer ✦educator ✦producer ✦choreographer ✦levantine
don’t you wanna FEEL?
my films
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my films *
LAST CALL, 2026
IT’S NOT ME, IT’S YOU., 2024
BLUSHING, 2023
LITTLE BOXES, 2022
“HOW AM ‘I’?”, 2021
SWALLOW, 2020
what i’ve done
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what i’ve done *
FUN GIRL DANCE school
the work
At Fun Girl Dance School, we are proud of our journey of growth, empowerment, and community impact. Since our founding in 2018, our mission has been to provide a supportive, inclusive, and fun environment where students of all ages can explore the art of dance while building lasting connections.
FUN GIRL DANCE company
the work
Since its inception, Fun Girl Dance Company has been bringing bold, innovative, and queer-centric dance to audiences to Michigan. We strive to create accessible dance through affordable classes, community partnerships, film and live performances.
“strike” music video
the work
One of the most exciting collaborations in my career was working with Mona Haydar, a Syrian-American rapper and poet, on the music video for her song "Strike" from her debut album, Songs From The Mothership.
university guest artist
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university guest artist *
the work
At Fun Girl Dance Co., we are passionate about challenging the boundaries of contemporary dance and collaborating with emerging talent. One of our most rewarding achievements took place during my time as a Guest Choreographer at Eastern Michigan University for the 2021-2022 academic year, where I had the privilege of setting work at my alma mater.
guest artist
2021-2022 Academic Year: Invited as a guest choreographer for the Eastern Michigan University’s dance department, I had the opportunity to set an original work on eight dance majors, expanding their artistic range and giving them an out-of-the-box experience in choreography and performance.
The piece was set to the music of Debbie Harry, a bisexual icon and sex symbol of the 70s and 80s. The use of Debbie Harry’s music created an atmosphere far beyond the traditional scope of a modern dance program.
PRESS
roots
pulp
mlive
STILL HAVE QUESTIONS?
let’s chat
734 383 8566
chloe@fungirldance.com